Browsing the archives for the AcWriMo category

How to be a Hackademic #35 by Charlotte Frost & Jesse Stommel
Posted by Charlotte Frost

How to be a hackademic pictureHybrid Pedagogy’s Jesse Stommel and our very own Charlotte Frost rethink academic life and writing productivity in this on-going series of hints, tips and hacks.

BINGE WRITE. Dedicate a block of time to do an insane amount of writing. NaNoWriMo is National Novel Writers Month. During the month of November, novelists and aspiring novelists publicly commit to writing 50,000 words, which is enough for a draft of a short novel or the first 50,000 words of something longer. The scope of the challenge adds a playfulness to the writing process, and the very public declaration of high levels of output makes us more accountable, while also providing a support network. There have been a number of non-fiction incarnations of this type of project including PhD2Published’s AcBoWriMo (Academic Book Writing Month) which uses Twitter to co-ordinate activity and offer fast and furious advice on keeping pace. You don’t have to wait until November, write quite so much, or even be as public with your intentions. Instead, try setting aside a space of time, deciding on a goal, and then dedicate yourself for this period to writing to the exclusion of almost everything else. Does the thought of such wanton writing behaviour completely appal you? Maybe you’re better off with a more measured approach like this…

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Baby on board, so time to take my leave (at least for a little while!)…by Anna Tarrant
Posted by Charlotte Frost

baby-on-boardThe time has come to announce that this is my last post for PhD2Published for a little while (boo! :-( because I am going to be taking some time off to have a baby! :-) She (yes apparently it’s a girl!) is due at the end of April 2013 so my attentions will be re-directed elsewhere for a while.

I have thoroughly enjoyed being the Managing Editor for PhD2Published and given that my body is being incredibly productive, I thought I would also take this opportunity to reflect on my time with PhD2Published to share some of the things I have learnt.

Becoming Managing Editor was a ‘seize the moment’ type affair (my first tip; seize any opportunity that you can – but be strategic!). I was working as a Senior Teaching Associate at Lancaster University (a teaching only position) at the time and I felt really disconnected from the world of academic publishing and research. In identifying a need for support and guidance in publishing I embarked on an online search for resources and that was when I came across PhD2Published.  As luck would have it, Charlotte was looking for someone to fill the Managing Editor role so I jumped at the opportunity and just over a year later I am so grateful I did. Here’s why:

I have learnt about how and where to publish

One of my roles as Managing Editor is to source material relating to topics relevant to academic publishing. With a desire to publish myself I sought information that would not just help me, but others too, in all our publishing journeys. This helped me to collate useful material that also built a strong personal, but openly accessible narrative about publishing.  In the past year I have invited academics of various career stages to write blogs, ranging in focus and including (but not limited too): contemporary publishing models such as Open Access; developing academic writing (see the benefits of writing in groups and collaborative writing); and reflection on publishing and emotion (e.g. Publish or Perish). I have even written my own resources for the site (see my series of #acwri summaries and what not to send for peer review) and for other reputable blogs including Guardian Higher Education.

As well as publishing blogs, I have gained a great deal of knowledge and confidence in publishing in more traditional ways. In the past year I have had three journal articles accepted, have had a book chapter published, with another on the way, and have been asked to peer review for several journals – all skills I needed to acquire but felt less able to in my teaching post. Needless to say, I am now a Research Associate at the Open University and can boast a much-developed CV.

I have upskilled

  • I have learnt how to blog, how to set up a blog site and how to write for different audiences,
  • I have learnt how to use Twitter, to network, to establish a professional identity, to share resources, to chair and manage a live chat (#acwri) and a large scale online project (#acwrimo),
  • I have also learnt how to use a range of different social media and applications including Twitter, Storify, Paper.li, Dropbox and Google Docs.

Networking: online and off

Networking and contacting academics from a variety of backgrounds, disciplines, geographic locations and so on has also launched me into a supportive, active and engaged community across multiple social media platforms; the website itself, Twitter and Facebook. Meeting people at conferences who know of me through Twitter has undeniably enhanced my ability to network and to meet people in my fields of research. Get known on Twitter, it helps to enhance your networking skills and visibility at conferences!

I have become involved in emerging academic debates about publishing/writing

Finally, PhD2Published has also expanded my research interests and expertise, so much so that I gave a conference paper about it at the SRHE Annual Conference 2012. This has afforded me the opportunity to reflect critically on academic use of social media for knowledge production and there is even a publication in the pipeline about this very topic, so watch this space!

Last but not least, as well as acquiring a range of skills I have also found a great colleague and friend in the one and only, charismatic and creative, Charlotte Frost. She is a quirky, selfless lady (with a penchant for pretty, purple, glittery things) and a true inspiration. I have the utmost respect for her and she has truly shown me that respect is earned; through hard work, tenacity, friendship, intelligence and a lust for life. I have a lot to thank her for and everyone who I have had the pleasure of working with/meeting in the past year or so.

Of course, I am not disappearing completely so hope to see you online soon!!

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Questioning the legitimacy of new-form digital projects: An autoethnography of #AcWri and PhD2Published by Anna Tarrant
Posted by Charlotte Frost

Image from Mochimochiland.com

This blog post by Anna Tarrant (aka PhD2Published’s Managing Editor and co-instigator of #AcWri) is part of a series that asks after new forms of scholarship projects and demonstrates how academic out-put is changing in the digital age.

From blogs like the Thesis Whisperer to Twitter communities like #PhDchat there are a number of ways in which academics are harnessing digital communication technology to support each other and their work within and without institutions. And some are even outright reinventing what academic scholarship might be. We are well beyond the early phase of academic listserves and blogs and into a – perhaps third wave – of digital discourse design.

In this series I’ve invited the people responsible for these types of projects what their intentions where when the established them. How their projects have changed the way they (and we, as participants) work, research, share, support and interact with each other as global colleagues. And how they might describe what the emerging skill-sets are and their benefits and pitfalls.

When I first contacted Charlotte just over a year ago asking if I could become the Managing Editor of PhD2Published, I never suspected what kind of new doors it would, and could, open for me. In this blog piece I reflect on the role PhD2Published has played for me in the early development of my academic career and muse about how online spaces such as this are integral to an emerging movement that is transforming academic knowledge production and empowering contemporary academics. While my personal experiences are fairly unique, one of the ways in which I think we can learn about and understand the position, increased uptake and legitimacy of online academic spaces is by adopting autoethnographic methodologies; reflecting on our own positions in these new online participatory cultures.

I found PhD2Published while looking for some guidance and support for my newly forming publishing plans. I was on a short, fixed term contract as a Senior Teaching Associate at the time, which meant that the majority of my thinking and time was dedicated to teaching plans, maintaining relationships with my students and marking. While I maintained a fantastic mentor in my PhD supervisor, I felt adrift. It wasn’t part of my paid role to publish at this point, but I was conscious of the need to develop personally in order to competitively pursue the career I so long for (something permanent that combines both teaching and research – note I am currently in my third short-term academic contract since Oct 2010). At this time, I knew that I had to have a publishing strategy and some personal goals to become established in my field. Feeling lost in my institution and disconnected in terms of my research aims and development, I went in search of something else; support, community, the ‘how to’ of academic publishing. In the end, I turned to the Internet for this support and PhD2Published couldn’t have provided a better opportunity.

In the past year or so, since being involved with the site as a Managing Editor, I have learnt so much. In brief, I have learnt how, and where to publish to maximize my impact. I have had two traditional style journal papers accepted, I have contributed to various blogs, including the Guardian Higher Education blog, I have learnt how to use Twitter, Facebook and other online platforms to enhance my professional profile and have set up my own professional blog, which has even attracted attention from people outside of academia. I have also up-skilled; not only have I learnt how to run and manage an academic blog, I have networked much more widely on a variety of social media platforms to the point where I am recognized for my work at conferences. I have learnt a great deal from others – having also collaborated on #Acwri, the monthly live chats Dr Jeremy Segrott and I run on Twitter. And I have continued to publicly share my experiences in order to support others.

The #AcWri live chats in particular were established by myself and Jeremy after PhD2Published’s writing initiative, AcBoWriMo (now AcWriMo), when Jeremy was publicly searching for a community for academic writing discussion. It was quickly recognized that a much larger community of academics (of different disciplines, career stages and nationalities) wanted support with the emotional, as well as practical elements of one of their main crafts. Jeremy and I decided to collaborate and run fortnightly live chats on Twitter focused on different aspects of academic writing under the hashtag #AcWri. The intention of this was to establish an on-going, online participatory community, an open platform for sharing knowledge about academic writing (empowering each member as experts in their right) and to generate useful resources in the form of sumWwri has been successful in these goals so far, but what does this mean for academic knowledge production and has this changed our ways of working?

The establishment of the #AcWri community has emerged from, and aligns with PhD2Published’s (and other sites’) ethos of open, participatory learning but it has also contributed to changing the ways we work/research, publish/share and network/support each other. It allows a diverse group of researchers to connect and share their knowledge beyond the physical boundaries of institutions and to publish in new ways that are available to others beyond academia. It has allowed for a more engaged and open conversation about the ‘hidden injuries’ (Gill 2009) of neo-liberal academia (in this case through frank discussions about writing, a key part of the publishing we need to do, or risk ‘perishing’). It also allows us to share our successes and failures, to support and to network with one another in ways that have been less available to us before. The need for these spaces is evident in that the community, in size and quality of contribution, has flourished and is also self-perpetuating without the need for Jeremy and I to intervene beyond the live chats.

Importantly, the increased use and uptake of these online academic sites indicates broader changes, both within, and outside academic institutions that cannot be ignored. What is (not) happening within institutions that is encouraging more scholars to go online? Is this indicative of an absence of support in contemporary academia for its staff, particularly those who are Early Career? All of these questions are beginning to be raised and I am really excited to be part of a group of scholars (who have also written for this series of blogs) who are reflecting on, and even theorising about the increased uptake of online academic spaces where academic knowledge production is taking place. Through my involvement with PhD2Published and #AcWri I have personally developed essential and empowering skills that are required by the contemporary Early Career academic and yet for some reason these spaces still lack legitimacy

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Guess What?! NOBODY failed AcWriMo!
Posted by Charlotte Frost

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Learnings from #AcWriMo Part 7: A Storify by Charlotte Frost
Posted by atarrant


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Learnings from #AcWriMo Part 6: A Storify by Anna Tarrant
Posted by atarrant

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Learnings from #AcWriMo Part 5: A Storify by Charlotte Frost
Posted by atarrant


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Learnings from #AcWriMo Part 4: A Storify by Charlotte Frost
Posted by atarrant


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Learnings from #AcWriMo Part 3: A Storify by Charlotte Frost
Posted by atarrant


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Learnings from #AcWriMo Part 2: A Storify by Charlotte Frost
Posted by atarrant


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Learnings from #AcWriMo Part 1: A Storify by Charlotte Frost
Posted by atarrant


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750words as Writing Therapist: An interview by Charlotte Frost
Posted by atarrant

750w: So, what can I do for you today Charlotte?

Charlotte: Well, 750words, I’d like your help in writing about how I use 750words as a sort of writing therapist.

750w: Ummmm, a what now? A ‘writing therapist’ do you think you might have lived in the US too long?

Charlotte: Ha ha very funny – and you’ve just alienated all the US members of the PhD2Published community! Besides, regardless of where I live (or whether I say aluminium or aluminium), I know this writing therapy thing works. All I need is a computer, an internet connection and a muddled brain – this last one is easiest to come by.

750w: Go on…

Charlotte: I discovered 750words last year during AcBoWriMo (now AcWriMo). James Smith, a contributor to PhD2Published mentioned it and I tried it out a few times. I really liked several of the features. For a start, there’s the interface. When you write using 750words – which is a web-based writing application – all you have is a white screen. There are no formatting options or spell-check, and all you see as you type is the name 750words (bottom left) and the time and your word count (bottom right). And when I say it’s web-based I mean that you don’t download any software or anything, you just go the website and type, and all your entries are safely stored in a fluffy cloud in the sky – that’s how cloud computing works, right?

750w: Sure! Why not…

So anyway, these two features alone had me very interested. Many writers rave about the benefits of a stripped back aesthetic where all you can do is write and all you can see is writing. But the fact none of this writing is being stored in my own computer, for me at least, adds a beneficial lack of commitment. Not only am I stripped of the task of naming my document and thereby assigning it to some area of my work before it’s fully formed or ready to be categorised, but I can treat it as more of a rough working space. There’s something about not having to directly take responsibility for the work in terms of naming or storing it that is very freeing. And as a result, I’m often a lot more daring in what I try out in 750words. It’s like, I don’t know, taking some kind of a holiday from my own computer and thereby from my normal writing life. It’s very liberating.

750w: Right, so you get a bit drunk and promiscuous with your writing in 750words, is that what you’re saying?

Charlotte: Er, that’s not quite how I’d put it but OK. Although that’s certainly not all that happens. What I find is that it’s also quite a confidence-building tool. If you’ve ever battled with yourself all day for just 300 academically precise words, it’s great to know you can probably bash out 750 rough ones in about 18 minutes (My personal best according to the stats 750words give you. Another interesting feature by the way that brings out just enough competitive instinct to encourage still more writing.)

750w: But a good therapist would do more than boost your confidence, they’d help you work through specific problems. How do I, er, we, do that?

Charlotte: About a month back I read Elizabeth Gilbert’s Eat Pray Love as part of a summer binge of reading memoirs. If you don’t know the book, it’s about one writer’s attempts to get over her divorce and find new meaning in life by living in Italy (and eating), India (and praying) and Indonesia (and randomly falling in love). Anyway, early on in the book Gilbert describes a moment of utter despair lying sodden in tears on her bathroom floor as she realised her marriage was over. She explains how in feeling so lost and alone she develops a writerly coping technique. Basically, she writes questions in her note book like: ‘what should I do now’ and discovers is that the answers just sort of come to her. At first the Brit in me bristled at this. I was all: ‘Oh yeah, nice one Gilbert, you’ve clearly happened upon the sensibly minded goddess of automatic writing – not the one the Surrealists used to pen-pray to obviously!’ But then I thought about it logically. She wasn’t saying her pen magically started forming the words on the page, she was saying that the answers just came out that way, which is obvious when you think about the fact she’s a writer; of course she’s going to write her way of all this mess.

750w: But what does this have to do with 750words?

Charlotte: I’m getting to that. Jeez, anyone would think we were being timed here or something. Oh, wait, of course we are.

OK then…

Not long after I read Eat Pray Love I found myself struggling with a section of the book I’m writing. After a few hours of writing it first one way, and then another, I realised I was at an impasse – although I resisted crying on the bathroom floor. I tried reading for a bit to sharpen up my thinking. It didn’t work. I tried calling a friend. She didn’t pick up. So I thought, let’s try this Gilbert thing and let’s see if 750words is a good neutral space for summoning up a writing spirit.

I opened the application and just wrote myself a question. Something like: ‘So, what’s the problem then?’ and I set about answering it. Something like: ‘I’m struggling to write a section about how new materialism and media archaeological approaches help us recognise the way the physical qualities of an archive contribute to the knowledge they hold.’ I continued by asking myself: ‘And why are you telling us this?’ And I went on: ‘Because I need to show how art history as a discipline has had a strong relationship with print that has naturalised certain ways of thinking about art – ways that are best conveyed through print. And what I need to do is argue that with the arrival of digital technologies we have new ways of storing information that contribute new ways of thinking about, say, art.’ As I went on, I discovered that by asking myself a set of very simple questions I could pull the essential ideas out of the knot in my head. On top of that, I discovered that some of what I was writing was perfectly usable. More exciting than that, it was pretty darn good. Having been shaped by the very questions I needed to respond to, the passages I was writing were neatly pre-empting the thoughts of an enquiring reader.

750w: So that’s it then, it’s not hippy stuff, you just find 750words an excellent space in which to unpack your thoughts?

Charlotte: Er yes, OK then, if you want to put it that simply! Now stick that in your cloud and, um, fluff it!

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An invitation to Google+ by Daniel Spielmann
Posted by atarrant

(C) Google

Today’s post by +Daniel Spielmann invites you to find out if Google+ could be a useful addition to your Personal Learning Environment (PLE) and provides some tips to get you started. Daniel is a PhD student at the University of Hamburg, Germany, focussing on the use of ePortfolio in the training of peer writing tutors. He is interested in academic writing and digital literacies and in the connection of both.

It is November, the month of #acwrimo and #digiwrimo. Many academics engage in digital writing using Twitter and writing personal blogs but in this post I explain why I am one of a growing number of Google+ users and why I think, for many academics, it is worth checking out, especially if you haven’t given it a try yet.

What is G+ and why is it different to Twitter?

“Personally, I love G+ because people I’m connecting with here help me be ‘who I want to be’ – and faster than I could possibly do on my own.” (+Meri Walker)

On Sept. 20th I took part in the PhD2published Twitter live chat on academic tweeting where I mentioned some of the issues I have with Twitter and compared it to Google+. Some of you may not have heard of G+ or even realize its potential for academic writing and networking.

Well, G+ offers a set of joint services which foster interaction. You can share text messages and comments which – different to Twitter – are not restricted to 140 characters, which allows for a much more natural flow of communication; however, some people interpret the character limit on Twitter as beneficial, because it supposedly forces you to be very precise about your message. For me, that’s not enough. Sometimes there is a fine line between “concise” and “truncated”. Is everything exceeding 140 characters just “intellectual ‘baggage’” as @markhawker / +Mark Hawker tweeted with a smile during the aforementioned chat, or is it rather that not until we cross restrictions like the one imposed on us on Twitter that research and academia become most interesting? How important is the 140 character limit to you?

Another G+ property is that discussions are easier to keep track of, because they are not all over the place as they are on Twitter; following longer discussions is much more convenient and, in fact, from a user perspective the platform seems far more conducive to focussed discussion, rendering it a solid tool for academic exchange.

The observations mentioned – the absence of a character limit and the more traceable organization of conversations – may contribute to the fact that communication on G+ is often perceived as more lively and yielding than on other networks (although you can cross-post from G+ to Twitter, you should keep in mind the two different types of network you are feeding, see also d) below).

When you share pictures or videos on G+ your readers will see them directly in their stream, not just a link to them. Links are not subtracted from your character limit because there is none. Sharing and linking are therefore much more fun, which makes me think G+ is also of great service to the practical application of the “Power Law of Participation” in which Mayfield describes the stages that lead us from a collective intelligence to a collaborative one.

Furthermore, with G+ Hangouts real time video conferences with up to ten people are as easy as pie. The integration of Google Drive (and other Google services, for that matter) allows you to work with others on the same document while ‘hanging out’, which makes it a great tool for collaborative digital text creation as in online writing groups or multi-author writing projects, for example. How can we harvest this potential for #acwrimo and the time after?

Here are some tips to get you started on G+:

a) Build your personal profile. Ask yourself: Why are you on G+ and what do you hope to gain from it? What people do you want to get in touch with and what should they know about you? Fill your profile with information about what you do and what your interests are, don’t leave it blank.

b) Simple but effective: Use the G+ search box to find people and content that match your professional interests. Be creative about search terms, explore.

c) Think about circle management. On G+ you group people you follow into different circles. The circle feature allows you to be very specific about what information you share with whom and it is also very helpful in improving the quality of your G+ stream. Circles will need some time to get used to, but once you discover the potential, you’ll surely get the hang of it. This video helps you get started with circles. I also shared two posts on G+ (1, 2) to help your thinking about circles.

c) Don’t just share any content, share interesting content that fits the professional profile you aim to create of yourself.

d) Don’t just share and be done with it – when try to give it a personal touch by commenting / giving your opinion on what you are sharing. Your readers wonder: What do you think about what you are sharing? Letting people know gives you a much bigger chance of inspiring feedback. Including your personal opinion in your share will also help you to tie your thoughts together when you browse your own stream a few months down the line.

e) Make your postings interesting, show you care about others’ opinions, ask questions.

f) Improve your posts’ readability through structure and use the formatting options in G+: a “_” in front and at the end of a line of text will set everything in between in italics, “*” gives you boldface and “-” strikethrough.

g) You can mention other plussers by typing “+” followed by the name of the plusser you want to refer to. That way, this person will be notified that he or she has been mentioned.

h) Interact with people on their posts, say thanks, leave comments. G+ is not about reading, it’s about interacting. Be positive and inspiring.

It works, if you let it.

Now, after about 16 months with G+, I honestly believe something would be missing if the service were gone for good. Every time I look at my stream, I learn. G+ is what I recommend to social media reluctant colleagues who show the willingness to try at least one single network. It would also have been the ideal tool to have used two years ago when I taught a core seminar on autonomous learning. I promoted the use of Google Wave instead which did serve a purpose pre-G+.

As with any other social network, you have to be active if you want to be able to judge the benefits. No matter if we are talking Facebook, Twitter or G+, you have to engage with others in order to build a network that reliably supplies you with meaningful information. For me, G+ does that in a less stressful manner than other networks. And as with any other network, engagement takes some time; trust is not built in a day. So if you want to give it a try, be serious about it, because the bottom line is: You yourself decide what you get to see in your stream – valuable information or just the ordinary distractions.

For some examples on how G+ connects people, have a look at this posting by +Andrew Baron with lots of thoughts about the use of G+ or  +Melony Ritter inviting support for her 1st grade class learning about geography. If you are a speaker of German, +Stephanie Dreyfuerst’s post could be a good place to post your first G+-comment. Or why not add a G+ post about #acwrimo yourself? What differences do you encounter when sharing your #acwrimo word counts, excerpts, writing prompts, habits, projects, feedback and motivation on G+? What are possible G+ benefits for #acwrimo? Just use the Twitter hashtag in your G+ postings and let’s get the discussions going. The opportunities for interaction on G+ are certainly there for the taking!

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How to run your own writing retreat for AcWriMo
Posted by atarrant

Today’s guest post for AcWriMo is by Charlie at Urban Writers’ Retreat. She explains the benefits of setting up a writing retreat for getting some academic writing done and explains what you need to consider to set one up.

When you hear the words ‘writing retreat’, people imagine being holed up for weeks at a time in the deepest countryside. That’s all well and good, but most of us don’t have the time or money to do that, never mind the inclination. Well, how about a one-day writing retreat?

You might think that sounds like a day at the office, but it’s not. Going to a new place for a set time where you’re expected to work on one specific piece of work is an entirely different and more productive animal than a regular working day with all its interruptions, distractions, endless to-do lists and procrastination. There’s something about working in quiet companionship with other writers that just… works, and AcWriMo is the perfect time to get a few colleagues or your writing group together to try it.

So. What should you consider if you want to hold your own writing retreat?

Length

If your fellow writers are busy you might choose to do just an evening or morning of writing. 2 hours is really the minimum amount of time to allow to make it worthwhile, but do factor in time for people to settle in at the start. A day is ideal and 10am – 4pm will work nicely without overwhelming writers.

Your venue

It’s possible to write in cafes and other public places, but if you’re doing more than a couple of hours I’d suggest using somebody’s house or another quiet place where you can stay for a long time without feeling awkward or being disturbed. Ban family members from interrupting if you’re at home. Your venue needs to have enough seats and desk/table spaces that people won’t feel too squashed, chairs and power points and be warm enough. Ideally you’ll want somewhere that is pleasant to spend a few hours in, and you’ll definitely want a kettle – a large dining room would work well. If you’d rather hire a venue or are using part of an academic facility, make sure it has everything you need and that the group agrees to any costs.

Food

Writers can bring their own packed lunches, you can order in sandwiches or if you’re at home you could have something that can be reheated in an oven. People will appreciate fruit, cake or biscuits to snack on.

Set expectations

One of the nicest things about a retreat is working around other writers, but you’re here to work. Create a timetable with quiet work times and breaks so that people can catch up and chat. You can either have regular group breaks or leave people to do their own thing and just break together at lunch. Either way, send out an email beforehand so that people know what to expect. You can also cover food and let them know how much money to bring if you’re providing it (ask if anyone has allergies). Remind people about turning phones off, bringing headphones for music and all of the leads, memory sticks, notebooks and research material they need. Encourage people to complete any research beforehand so that they can use this time just for writing.

Goals

Having run writing retreats for 4 years, I can tell you from experience that setting a goal for your writing retreat makes a huge difference to what you achieve. It doesn’t have to be big and involved, although personally I favour having an overall goal for the day and splitting it into sessions. You can do this within 5 minutes on a scrap of paper. Either get people to do this in advance or have a goal-setting session at the start of the day.

Internet

If at all possible, turn it off. For the whole day. It will feel weird because we’re so used to being able to hop online anytime, but you’ll survive. In fact, your writers will thank you when they see their word counts at the end of the day.

The fear

Going to a writing retreat, particularly for the first time, can be intimidating. People worry that they will get stuck and be left sitting staring at a blank page for 8 hours. You can download a few creative exercises from the internet to have handy in case anyone needs to shift mental gears or just think about something else for a few minutes. You can discuss any problems people are having in breaks. It can also feel a bit awkward at first sitting in a room with a bunch of virtual strangers, so take the time to introduce everyone to everybody at the start. The most powerful thing you can do to take control though, is the goal-setting.

Finding writers

If you aren’t a member of a writing group or an academic department you might need to look further afield to find writing buddies. Ask anyone you know if they know anyone who might be interested, any contacts you’ve made through your academic work. Ask people on Facebook or twitter. Ask fiction writers too or friends doing job applications. You don’t need a huge amount of people to run a retreat, though I’d suggest that if you’re doing it with just 2 or 3 people it will work better if you already know each other – just be strict about keeping work times quiet. You can even do a retreat solo but it requires much more will-power. You’ll need to engage the services of a timer (your phone/computer will have one), may need to use a different space than your normal workplace, and it will be absolutely crucial to set goals and switch off the internet.

The main thing though, is not to let the thought of having to organise some big event intimidate you. In its simplest form a writing retreat can be you and a colleague agreeing to work together on a particular day. You pick a place and time, agree break times and spend 5 minutes setting a goal before turning off your laptop’s wifi. And there you go, one rocket-fuelled day of writing is yours. Easy.

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Writing for a non academic audience by Marcia Hughes
Posted by atarrant

Today’s post is about writing for non academic audiences. Marcia Hughes, the post author is one of the founders of the Boulder Group Ltd, a communications consultancy founded in 2007, dedicated to working with universities and higher educational institutions in the delivery of knowledge to wider audiences.

If you’re passionate about communicating your research with as wide a public as possible, then the chances are you’re already presenting your ideas clearly and simply to diverse audiences outside of academic walls. Hopefully, you’re also benefiting from your public engagement.

As a journalist and reporter with the BBC for nearly 15 years, I had to ensure my ideas ‘educated, informed and entertained’ the public. I found it rewarding making programmes for a general audience to absorb and appreciate.  Working mainly for Business and Financial News and Current Affairs, I had to turn quite complex issues into accessible listening and viewing for TV and Radio. I quickly learnt some important steps for engaging a general audience:

  • Developing a clear and simple narrative for the audience to follow
  • Choosing interesting case studies (voices) with relevant human interest or experiences
  • Making sure interviews with experts outlined key themes in a straightforward way
  • Removing any jargon or specialist speak
  • Using simple and concise language and using short sentences

Of course, it wasn’t always plain sailing. At times, appealing to this unknown “general audience” felt like being in the firing line from a group of people with the same “Am I bothered?” attitude as the infamous teenage girl played by Catherine Tate. Reaching out to the world beyond my like-minded BBC peers and financial experts took me out of my comfort zone. It constantly challenged me to think more simply and develop a much more open mindset every time I thought of a new programme idea:  Why am I making this programme; Who am I really trying to reach? What do I want to say?

These questions centre on two key areas: Audiences and Messages. They are as important and relevant to an academic individual writing for ‘non-academics’ as they are to a journalist.  What are the potential audiences are out there for you? What are their needs? What are their interests and values?  What are your key messages? Why does your research matter to them?

The more you ask yourself these sorts of questions, the sharper your focus. The more straightforward your communication, the more likely your research will resonate with a non- academic audience.

At the Boulder Group Ltd we are committed to supporting individual researchers, academic professionals, and post-graduates in their communication with the wider world. Our founding belief is that the knowledge created in our universities and HEIs, and the great ideas of researchers deserve a much bigger audience and greater appreciation.

Our service Researcher AM focuses on Audiences and Messages. It gives one-to-one help in audience engagement and current thinking on public engagement in order to help you define your research’s key audiences and choose the most appropriate means of communicating with that audience.

Contact Marcia: marcia@bouldergroup.co.uk

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