Browsing the archives for the Jesse Stommel tag

How to be a Hackademic #35 by Charlotte Frost & Jesse Stommel
Posted by Charlotte Frost

How to be a hackademic pictureHybrid Pedagogy’s Jesse Stommel and our very own Charlotte Frost rethink academic life and writing productivity in this on-going series of hints, tips and hacks.

BINGE WRITE. Dedicate a block of time to do an insane amount of writing. NaNoWriMo is National Novel Writers Month. During the month of November, novelists and aspiring novelists publicly commit to writing 50,000 words, which is enough for a draft of a short novel or the first 50,000 words of something longer. The scope of the challenge adds a playfulness to the writing process, and the very public declaration of high levels of output makes us more accountable, while also providing a support network. There have been a number of non-fiction incarnations of this type of project including PhD2Published’s AcBoWriMo (Academic Book Writing Month) which uses Twitter to co-ordinate activity and offer fast and furious advice on keeping pace. You don’t have to wait until November, write quite so much, or even be as public with your intentions. Instead, try setting aside a space of time, deciding on a goal, and then dedicate yourself for this period to writing to the exclusion of almost everything else. Does the thought of such wanton writing behaviour completely appal you? Maybe you’re better off with a more measured approach like this…

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How to be a Hackademic #34 by Charlotte Frost & Jesse Stommel
Posted by Charlotte Frost

How to be a hackademic pictureHybrid Pedagogy’s Jesse Stommel and our very own Charlotte Frost rethink academic life and writing productivity in this on-going series of hints, tips and hacks.

BE ADAPTABLE. You’re going to need expertise in more writing styles than just thesis/dissertation writing. When we write academic dissertations, we are learning how to write for a very niche academic audience. Now you need to adjust your writing style for a new audience (the one that isn’t examining your PhD). For example, if you are writing for a more popular or generalist audience, you’ll want to use a lot less jargon. When writing a dissertation, we laboriously chose and qualify our terms, such precision ensuring the intricacies of our argument are clear. The typical dissertation is very different in tone and structure from the typical academic book. While a dissertation is usually directed toward a very small audience, a successful book must be accessible to a wider audience. This modulation of tone may take time to master so it is worth practicing early on.

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How to be a Hackademic #33 by Charlotte Frost & Jesse Stommel
Posted by Charlotte Frost

How to be a hackademic pictureHybrid Pedagogy’s Jesse Stommel and our very own Charlotte Frost rethink academic life and writing productivity in this on-going series of hints, tips and hacks.

WRITE IN MODERATION. If working in pre-specified blocks of time isn’t your thing, and writing in excess fills you with horror, then break your writing tasks into moderate daily or weekly word counts. We all have different ways of working. Some of us write lots quickly and then edit into more refined copy, while others might take more time but write a near perfect text that requires little editing. Some of us research and write at the same time and some of us like to get all the research done before even attempting to put words down. Once you know which type of researcher/writer you are, test yourself to see how much writing you can get done in a day. As you get into a groove, you might challenge yourself to do a little more each day. For some people 250-500 words will be more than enough, but others might find they can get to 1000 or even 1500 words in a day. Find what’s comfortable and measured and go with it.

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How to be a Hackademic #32 by Charlotte Frost & Jesse Stommel
Posted by Charlotte Frost

How to be a hackademic pictureHybrid Pedagogy’s Jesse Stommel and our very own Charlotte Frost rethink academic life and writing productivity in this on-going series of hints, tips and hacks.

GRAMMAR. If you haven’t done so before, now is the time to start taking an interest in grammar. Unless you’re an English super-scholar, nobody is going to expect you to have perfect grammar, but anyone interested in writing should be interested in writing well. There are lots of basic guides to grammar that can help you tidy up some common mistakes, but it’s also a good idea to start paying close attention to details in everything you read. This will help as you put your own mental map together of what good writing looks like. Editors will be there to help polish a final piece, but you’ll find your entire writing process easier if you write carefully from the start.

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How to be a Hackademic #31 by Charlotte Frost & Jesse Stommel
Posted by Charlotte Frost

How to be a hackademic pictureHybrid Pedagogy’s Jesse Stommel and our very own Charlotte Frost rethink academic life and writing productivity in this on-going series of hints, tips and hacks.

TIME YOURSELF. Use something like the Pomodoro Technqiue, named after the iconic tomato kitchen timer. The idea is that you measure your working time in “pomodoros” which are blocks of time comprising 25 minutes of work, 5 minutes of rest. Each block of time is known as a “pomodoro” and signifies a unit of productivity. Even if you only do one pomodoro a day, you’ll find your writing output will increase greatly. Better still, though, try for 2 or 3 pomodoros a day. You can even use a focus boosting app – there’s lots based on the Pomodoro Technique which give you audio/visual reminders.

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How to be a Hackademic #30 by Charlotte Frost & Jesse Stommel
Posted by Charlotte Frost

How to be a hackademic pictureHybrid Pedagogy’s Jesse Stommel and our very own Charlotte Frost rethink academic life and writing productivity in this on-going series of hints, tips and hacks.

LOVE WHAT YOU’RE WRITING. Jesse often tells his students when they’re working on class projects that if they’re not having fun, they’re doing something wrong. This doesn’t mean that every moment of the process will be fun, but it does mean that the overall trend should be to have the work be fun-inducing not pain-inducing. Countless studies have been done that show how much more we remember when learning is fun. When something is painful, we try to forget it as quickly as possible. Thus, if you love your project, you will learn more from the process and your learning will illuminate the page, improving the quantity and quality of your writing.

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How to be a Hackademic #29 by Charlotte Frost & Jesse Stommel
Posted by Charlotte Frost

How to be a hackademic pictureHybrid Pedagogy’s Jesse Stommel and our very own Charlotte Frost rethink academic life and writing productivity in this on-going series of hints, tips and hacks.

KEEP SCORE. Writing is not a contest; however, as much as we’d like to say, “academic publishing is not a contest,” we can’t. There are winners and losers in academic publishing, so it makes sense to start keeping score. How many writing projects have you finished? Where has your work appeared? How many people have read it? How many times have you been cited? How many copies of your book have you sold? You can’t get to any of these larger questions without starting first with a more foundational one like, “How many words have I produced today?” So to start with, create a spreadsheet or just jot your daily word count onto a calendar. You can make yourself even more accountable by tweeting the numbers. The number of words is meaningless, really, except in the way that it inspires you to keep making more.

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How to be a Hackademic #28 by Charlotte Frost & Jesse Stommel
Posted by Charlotte Frost

How to be a hackademic pictureHybrid Pedagogy’s Jesse Stommel and our very own Charlotte Frost rethink academic life and writing productivity in this on-going series of hints, tips and hacks.

LOVE WRITING. A friend of Charlotte’s who finished her PhD a couple years before her once talked about the strange pleasures of the final writing stage. Charlotte thought she was mad when she told her about an unparalleled pleasure derived from delving deep into her thesis and thinking and writing intensely for hours. She spoke of a level of focus that was like nothing she’d experienced before and a connection with her work that was all-consuming and effervescent with ideas. Charlotte figured this was some strange state she’d invented to compensate for the final weeks of PhD work where bodily hygiene and a balanced diet would go out the window. But, later, as her own work reached that same stage, Charlotte discovered her friend was right. Let’s face it, we wouldn’t be doing this if we didn’t find some kind of pleasure in thinking and writing, but deadlines and writer’s block often loom large and eclipse those moments of personal-writerly-discovery. Quite the best way to approach writing projects is to embrace the real joys of writing and keep them foremost in your mind throughout all the low points. As with relationships, all too often we tend to share the pain and anguish, but if we talk more about what is good, we’ll soon foster a better attitude to writing.

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How to be a Hackademic #27 by Charlotte Frost & Jesse Stommel
Posted by Charlotte Frost

How to be a hackademic pictureHybrid Pedagogy’s Jesse Stommel and our very own Charlotte Frost rethink academic life and writing productivity in this on-going series of hints, tips and hacks.

PURGE YOUR THOUGHTS. Instead of asking yourself to practice writing, you might instead think of your daily writing as a sort of mental purging. You could, for example, start or end your day with a diary-style cleansing of your thoughts. Why would so many people write diaries if it wasn’t so incredibly useful in making sense of your own head? And besides, therapists can be really expensive! Sometimes we can’t see the forest for the trees, so siting down and writing whatever comes to mind can be a good way of getting some of distracting ideas out of your way. Likewise, engaging in a free-form writing session can spark some untapped creativity, helping us see some wilder connections in our ideas that we hadn’t considered before.

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How to be a Hackademic #26 by Charlotte Frost & Jesse Stommel
Posted by Charlotte Frost

How to be a hackademic pictureHybrid Pedagogy’s Jesse Stommel and our very own Charlotte Frost rethink academic life and writing productivity in this on-going series of hints, tips and hacks.

FIND AN AUDIENCE. Without an audience, you have no real motivation for writing. Your work becomes an exercise in speaking to an empty room, which is – to be fully honest – kinda crazy. So first it is a good idea to really think who you are aiming your work at? Who would you like to speak to and why? And then think about building this audience more literally. For example, students can be an excellent audience for rough pieces of writing and early ideas. Blog posts and conferences are other great platforms for building an audience for your work as you’re writing. Of course you need the writing to really win an audience, but building an audience one step at a time works really well. Then, once you have an audience, the demands of that audience will keep you writing.

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How to be a Hackademic #25 by Charlotte Frost & Jesse Stommel
Posted by Charlotte Frost

How to be a hackademic pictureHybrid Pedagogy’s Jesse Stommel and our very own Charlotte Frost rethink academic life and writing productivity in this on-going series of hints, tips and hacks.

WRITE SOME MORE. Write regularly to improve your communication skills in all areas of your work and ward off that dreaded writer’s block. Try to allot a bit of quiet time – even half an hour is enough – to get some thoughts onto paper/screen every single day. At first it will seem like a chore, but all too quickly you’ll notice how productive you can be. Some of the material you produce might well make it into your book or article, or perhaps it will become a blog post, or some other way of publicly discussing your work. In fact, blogging regularly can really help. It adds an important level of accountability if you imagine you have to blog once a week or you’ll lose face. Reporting on the ideas you’re processing in this lighter more chatty style will be easier and it will help you get to the crux of the matter – don’t underestimate how important it is to be able to communicate widely. Try to keep this daily writing routine no matter what else is going on. So, even if you’re traveling, consider setting aside just a small amount of time to do some writing, even if you’re just pecking letters into the notes app on your smart phone. It doesn’t have to be academic writing; every bit of writing we do ultimately helps hone our craft.

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A Scholarship of Generosity: New-form Publishing and Hybrid Pedagogy by Jesse Stommel
Posted by Charlotte Frost
Image from Mochimochiland.com

Image from Mochimochiland.com

This blog post by Jesse Stommel (Co-founder and Director of Hybrid Pedagogy) is part of a series that asks after new forms of scholarship and demonstrates how academic out-put is changing in the digital age.

From blogs like the Thesis Whisperer to Twitter communities like #PhDchat there are a number of ways in which academics are harnessing digital communication technology to support each other and their work within and without institutions. And some are even outright reinventing what academic scholarship might be. We are well beyond the early phase of academic listserves and blogs and into a – perhaps third wave – of digital discourse design.

In this series I’ve invited the people responsible for these types of projects to share what their intentions were when they established them. How their projects have changed the way they (and we, as participants) work, research, share, support and interact with each other as global colleagues. And how they might describe what the emerging skill-sets are and their benefits and pitfalls.

The idea for the name of Hybrid Pedagogy came from a job talk I gave in October 2011. The thesis of that talk now sits on the journal’s homepage: “All learning is necessarily hybrid.” The line is inspired by a blog post from February 2010, in which I write: “The teacher 2.0 must shift the focus from individual learners to the community of learners, drawing new boundaries that reflect a much larger hybrid classroom.” This sentence also describes the work of new-form academic publishing, which draws new boundaries by upsetting the distinction between scholarship and teaching — between the work we do in journals and the work we do in classrooms.

When Pete Rorabaugh and I began discussing what would become Hybrid Pedagogy in early 2011, we wondered if what we were describing was a “journal” or something else entirely. At various points, we flirted with calling the project a “symposium,” “colloquium,” “collective,” or “school.” It was clear to us, from the start, that what we were creating was not a traditional academic publication. What we wanted to build was a network, a community for engaging a discussion of digital pedagogy, critical pedagogy, open education, and online learning. At the same time, we wanted to build a collection of resources to help facilitate conversations within that community.

We worked from the start to develop the journal openly, gathering together an advisory board that had virtual “meetings” on the web via the discussion forum on the site. The goal was to interrogate academic publishing practices by making them transparent — to lay bare our process while it was in formation. We published articles about peer-review before we had established our own peer-review process, inviting feedback and commentary. We crowd-sourced the majority of our initial decisions, down to the layout and design of the site.

Hybrid Pedagogy has become a publication that combines the best aspects of an open-access journal with the best aspects of a group blog (timeliness, a nimble publishing schedule, and direct engagement with readers). Through the articles we’ve published and events we’ve hosted (like MOOC MOOC and regular #digped chats), we’ve brought together higher education teachers, K-12 teachers, the open education community, students, and lifelong learners. We’ve worked to disrupt the conventions of academic publishing, while still maintaining a careful attention to detail, context, and critical engagement.

Based on input from our initial advisory board, we’ve developed what we call “collaborative peer review,” in which editors engage directly with authors to revise and develop articles, followed by post-publication peer review. Once an article is accepted for review, we partner a new author with an editorial board member (myself, Pete, Sean Michael Morris, and Robin Wharton) and a guest editor (usually someone that has already published an article in the journal). Editorial work is done both asynchronously and synchronously in a Google Doc that evolves through an open dialogue between author and editors.

We fully expect our process will continue to evolve. Kathleen Fitzpatrick argues, “Peer review is extremely important — I want to acknowledge that right up front — but it threatens to become the axle around which all conversations about the future of publishing get wrapped.” Going forward, I think it’s vital that every academic publication continuously (and even publicly) interrogates its own practices. Given how rapidly education is changing, we need to keep pushing ourselves to innovate — to learn from our mistakes — and to stay nimble in our approaches. We need to actively overturn the existing hierarchies and power dynamics that fuel unethical practices like blind peer-review, the proliferation of overpriced and barely read monographs, closed-access publishing, and business models that rely insidiously on the free labor of contingent faculty.

I’m glad Pete and I ultimately decided to describe Hybrid Pedagogy as a “journal,” exactly because this designation allows us to push on the boundaries of what, when, and how academic work gets published. The notion of an “academic journal” needs dismantling and reimagining. This isn’t to say that we shouldn’t continue to have traditional academic journals, but that we need to considerably broaden the landscape to make way for dynamic collaboration, new media, and participatory culture.

Since launching Hybrid Pedagogy in January 2012, we’ve published 94 articles by 17 authors. The majority of these have been peer-reviewed by at least two reviewers (all but the earliest articles and #digped announcements). We’ve worked especially hard to encourage collaboration; 21 of the 94 articles we’ve published was written by two or more authors, including one article by five authors, one article by twelve authors, and one article by hundreds of authors. Articles have covered a wide range of topics, from MOOCs to digital writing — from intellectual property to personal learning networks.

Shortly after we launched Hybrid Pedagogy, Pete and I wrote an article about the changing nature of citation in the digital age — an article in which we made nods to the various sources for our work on the journal. In that article, we write, “In digital space, everything we do is networked. Real thinking doesn’t (and can’t) happen in a vacuum. Our teaching practices and scholarship don’t just burst forth miraculously from our skulls. The digital academic community is driven by citation, generosity, connection, and collaboration.” I believe generosity is what will drive the future of digital publishing.

Check out the most recent articles on Hybrid Pedagogy: Decoding Digital Pedagogy, pt. 1 and pt. 2 and follow @hybridped on Twitter.

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How to be a Hackademic #24 by Charlotte Frost & Jesse Stommel
Posted by Charlotte Frost
How to be a hackademic pictureHybrid Pedagogy’s Jesse Stommel and our very own Charlotte Frost rethink academic life and writing productivity in this on-going series of hints, tips and hacks.
ER…WRITE. With all the different tasks that go into being an academic and a human being, our impulse is often to try and lump writing onto the end of the day, week or semester. We juggle all the other parts of our career and put writing off because it is difficult and requires focus. Turn the tables on this method and work out a schedule from the outset that at least features dedicated writing times, if not gives them top billing. A huge amount of what we do as academics requires writing, so you’ll always fill these times and – heaven forbid – you might even use them to get a bit ahead of yourself. If you know you have set writing times you’ll find it easier to filter out distractions during this period.

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How to be a Hackademic #23 by Charlotte Frost & Jesse Stommel
Posted by atarrant

Hybrid Pedagogy’s Jesse Stommel and our very own Charlotte Frost rethink academic life and writing productivity in this on-going series of hints, tips and hacks.

GET A LIFE. Remember to have a life too; sometimes it’s the time spent away from your work that is the most beneficial. This is easier said than done when you have a deadline looming or you’ve got limited time to work but here’s the thing, the work will take twice as long if you don’t have a clear head. Ever noticed how you can sit down to work one week and it takes most of the day to get a paltry amount on a page but after a weekend away you can fit a week’s work into one day? Remember that. Take adequate amounts of time off from what you’re doing to enjoy everything that isn’t academia.

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How to be a Hackademic #22 by Charlotte Frost & Jesse Stommel
Posted by atarrant

Hybrid Pedagogy’s Jesse Stommel and our very own Charlotte Frost rethink academic life and writing productivity in this on-going series of hints, tips and hacks.

DRINK LESS ALCOHOL. Or maybe this should be: ‘don’t drink and write!’ Having too much alcohol while working will make you think you’re invincible – at least in academic terms. It really isn’t worth all the editing you’ll have to do to the sentences you write under the influence. Similarly, drinking heavily between writing sessions will only make them harder to endure – you’re not in college now kid! So where has being abstemious got you exactly? How about taking this option, oh, and bottoms up.

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