Weekly Wisdom #17
Be realistic about manuscript delivery deadlines and don’t sign a contract based on a schedule you know you can’t keep!
This is a guest post from Tim Rutherford-Johnson, a freelance academic copy-editor who has seen it all and has the scars to prove it.
If you’ve not published before – or even if you have, but only in smaller magazines and journals – then you won’t have been copy-edited before. That will change when your first book is accepted for publication.
To the unsuspecting author, copy-editing can appear both frustratingly hands-off (so, there are no changes for pages – what are you doing after all?) and surprisingly invasive (you’ve re-written my entire bibliography – what’s up with that?). The truth is, copy-editing occupies a pretty undefined, liminal space between writing and mechanical proofreading. It’s less than one and more than the other, but beyond that there are no hard boundaries. Copy-editing is, however, an absolutely essential step between getting your book off your laptop and onto the shelves in Blackwell’s. Read more
Well, there are just a few instalments left of BubbleCow’s nifty guide to pitching your academic book, but there’s still work to be done. We have already looked at your query letter and synopsis, so now we turn our attention to your book’s intended market.
I hope you did your homework again?!
The section of your proposal that explains the market for your book is arguably the most important. This is because it will show the publishing house straight away whether your book is viable and the degree to which you, as prospective author, recognise that publishing is about selling books. Read more
This week we have some really useful tips on how to publish your thesis from Palgrave Macmillan Publishing.
Palgrave Macmillan is a global academic publisher, part of the Macmillan Group, with strengths in the social sciences, humanities, and business. We publish textbooks, monographs, and trade books on an international scale.
Here are some insider publishing tips for prospective authors looking to publish their PhD thesis with us:
1.) Attend major conferences in your field and meet editors in person to discuss your ideas for publishing a book and receive some first feedback. Make sure your topic fits in with current events and debates and is of interest to a broad readership. Read more
This is the third instalment of BubbleCow advice on crafting academic book proposals. So far we have looked at your query letter as a sales document and examined its structure. Now we turn our attention to the tricky subject of the pitch itself and in this post, the synopsis.
Although submission guidelines will vary from publisher to publisher, with some asking you to fill out an ‘author questionnaire’ and others asking for your CV, an indication of the intended market for the book, comparable texts and proposed peer reviewers, a tricky section of the pitch they will all want to see is the synopsis of the book.
The synopsis is perhaps one of the most commonly misunderstood sections of the book proposal. Writers who can produce pages of elegant prose often go weak at the knees at the simple mention of a synopsis. Read more
This week, Bruce Wands, author of Art of the Digital Age (Thames & Hudson) and Digital Creativity (John Wiley & Sons, Inc.), offers us some of his advice on getting published for the first time.
1. Do some research on publishers that release books like the one you are planning. They generally have a section of their website for prospective authors and how to submit a proposal. Follow their directions exactly. You’ll generally need to submit some sample chapters, a bio or CV, who the target audience is and who your competition will be. You may need to rewrite the proposal a few times before the publisher accepts your project, too.
2. Position your book for the widest possible audience. Publishers want sales and having a topic that speaks to a small audience won’t go over well when you propose it. Read more
Right, here we go, the next part of our BubbleCow guide to academic book pitching! I hope you managed to complete your homework regarding the subject area(s) of your book, as it will come in very handy now.
In the last post we talked about how you need to see your query letter and synopsis as sales documents. And now we are going to look at the structure of a successful query letter.
A query letter needs to be concise and focussed. That said, it should be much more than a simple ‘please read my extract’. Last time, we highlighted the four aims of a query letter, these were to show:
This is the first in a guest series by Gary Smailes of BubbleCow.
At BubbleCow we work with writers on a daily basis to help prepare their books for submission to publishers and agents. As part of this process we have taken the time to talk and listen to publishers and agents to discover exactly what they are looking for in a successful book proposal. In this series of 6 blog posts guest written by myself, Gary Smailes (with Charlotte Frost), I will share what we at BubbleCow have learned and give you, the writer, all the skills and tips needed to write a great query letter and book proposal. Read more

Manchester University Press is an international concern, publishing work by authors from all around the world and selling books to a global audience.
Here, they offer their top 5 tips for getting published…..
1. A thesis is not a book: if revising yours for publication then approach, frame and describe it as a new project.
2. It’s normal to spend at least a year on revisions to turn a thesis into a book. Read more
art I of the Book Shelf Test looked at how your own book shelves can provide you with instant market research, showing you who is publishing what, and through which publishing houses.
If you already have your book planned in your mind (or indeed written) there’s another way of turning your book shelves into instant market research. Now you want to collect together all the books that most closely relate to the one you’re planning to pitch and write. Firstly, pile them up by publisher. This test is slightly less revelatory as you can probably predict the tallest pile before you start and you have probably also already made a mental note to pitch to this publisher. But is there a pile – even of only one book – that represents a publisher you hadn’t noticed before? If so, leap over to your computer and look them up and find out how they’ve categorised this book. The answer might be clear cut; that they publish books very relevant to your field but you hadn’t realised. Read more