Weekly Wisdom #10
Remember that good writing is about what you take out, not what you leave in!
Browsing the archives for the Pitching & Publishing category
Weekly Wisdom #10Remember that good writing is about what you take out, not what you leave in!
I was really excited to discover this article by Katharine Reeve on Times Higher Education – it’s, of course, excellent!
Reeve picks up on the key point that drives this website, which is that there isn’t much support for academic writers when it comes to learning how to propose and write a book. She states:
“While fiction authors are surrounded by advice books, websites and degree courses designed to help them get published, academic authors are left to their own devices. How are you supposed to know what is and what is not a publishable text? An academic is generally a researcher first and a writer second: you may be an international authority on Viking headwear or poststructuralist theory, but you are unlikely to be as expert at writing full-length publishable books. Unless you have a savvy supervisor or have learned by trial and error, getting into print can be tough.” Continue Reading »
ere we go, this is what I’m calling the Book Shelf Test (which it comes in two parts) and it’s going to save you a lot of time and answer a lot of questions so far as finding the right publisher is concerned.
In the last 2 part blog on Publishing Markets, I talked about publishing houses and their imprints. And I used the example that Indiana University Press has form in gender issues, and proved this for myself by looking at my own books. Well, rather than surfing for hours trying to connect some of these specialisms with publishing houses and imprints, you can do it just by looking at your own books.
So the first part of the Book Shelf Test is to test your own shelves for how they reflect the specific interests of different houses or imprints. And really, this is child’s play, because as most of them have logos, all you need to do is grab all the books from your shelves that have the same logo and then group them together into subject areas. Continue Reading »
Weekly Wisdom #9When it comes to writing, disconnect from the internet for a while (or at the very least from social networking sites and email) and just write!
It’s the one where I talk about book pitch etiquette…
Oxford University Press is the largest university press in the world and publishes in all academic fields from multiple offices across the globe. Here, they share their 5 publishing Top Tips…….
1. We are always glad to hear from prospective authors. We offer both general guidance on submission and a set of relevant contacts as it is sometimes best to send the relevant subject editor a brief email describing the project.
2. The hurdles at which most first-book proposals fall is a) suitability (for the list) and b) likelihood of achieving a sufficient level of sale. An initial email may help signal a project’s chances of clearing those particular hurdles. If an editor can encourage a submission, he or she will advise what should be sent. Continue Reading »
Weekly Wisdom #8Ask someone (who knows nothing about your field) to read your book summary and put it into their own words. They’ll likely do a better job of capturing its essence than you!
or the last post we looked very generally at the main areas of publishing. So now we can move onto analysing the specific focus of different academic publishers and the easiest way to do that is by looking more closely at who they are selling to.
For the academic publisher, there are three main ways of breaking down their target markets.
Firstly this can be very easily done by country or language. The big presses will have offices in different parts of the world and, in theory, can target a range of global markets. Smaller presses will likely target buyers in their country of origin and may extend to overseas buyers, but perhaps only those that speak the same language.
Secondly this is done by selling primarily to libraries or libraries and individuals. Some publishers, like Ashgate, for example, focus very much on the library market. A publisher like this might be working with a print run of as little as 250 books. Others consider their market to be the university educated public more widely, like Cambridge University Press. A publisher like this might well produce a print run in excess of 3000 book. Continue Reading »
Weekly Wisdom #7Consider that university libraries may well buy your book based on a very short, text-only description so try and nail the writing of this right from the start!
Prestel Publishing is one of the world’s leading publishers in the fields of art, architecture, photography, design, cultural history and ethnography. Although not specifically an academic publisher, Prestel have offered us their top 5 tips for pitching to publishers……..
Weekly Wisdom #6Summer is a bad time to pitch; people are at conferences or on holiday. Better to take the summer to work on it and get in fresh in September!
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ght, it’s going to be beneficial, before you go too far down the line of pitching to publishers, to learn a bit more of the basics about types of publishers, their imprints or departments, markets and lists or series. This is an area which you’d be forgiven for thinking you know all about; you read books all the time! Right? But don’t be fooled into thinking this gives you a knowledge of the publishing industry, it doesn’t! There are lots of publishing territories you won’t yet have mentally charted, and you need to have at least looked at a map before you set out.
So, over the next two blog posts, we’re going to take general look across the realm of publishing, eventually focusing in on the territory you need to claim: the beautiful land of academic publishing!
There are roughly five main types of publisher, these are: