Weekly Wisdom #13
Speak at as many conferences as you can and make sure you mention your planned book!
Browsing the blog archives for August, 2010
Weekly Wisdom #13Speak at as many conferences as you can and make sure you mention your planned book!
It’s the one where I talk about my ‘expanded chapter approach’…

Manchester University Press is an international concern, publishing work by authors from all around the world and selling books to a global audience.
Here, they offer their top 5 tips for getting published…..
1. A thesis is not a book: if revising yours for publication then approach, frame and describe it as a new project.
2. It’s normal to spend at least a year on revisions to turn a thesis into a book. Continue Reading »
Weekly Wisdom #12Break book-pitching into short-term, medium-term and long-term tasks; don’t get overwhelmed!
art I of the Book Shelf Test looked at how your own book shelves can provide you with instant market research, showing you who is publishing what, and through which publishing houses.
If you already have your book planned in your mind (or indeed written) there’s another way of turning your book shelves into instant market research. Now you want to collect together all the books that most closely relate to the one you’re planning to pitch and write. Firstly, pile them up by publisher. This test is slightly less revelatory as you can probably predict the tallest pile before you start and you have probably also already made a mental note to pitch to this publisher. But is there a pile – even of only one book – that represents a publisher you hadn’t noticed before? If so, leap over to your computer and look them up and find out how they’ve categorised this book. The answer might be clear cut; that they publish books very relevant to your field but you hadn’t realised. Continue Reading »
This is a guest blog post from Cat Bennett author of The Confident Creative: Drawing to Free the Hand and Mind.
The Road to Yes
I’m a veteran writer of sorts. I’ve been writing all my life—journal entries, essays, stories. But I’ve always made my living as an artist, primarily as an illustrator. Now I’m a newly published writer, the author of The Confident Creative / Drawing to Free the Hand and Mind. Findhorn Press is my publisher and the day I received a yes from them was indeed a happy one. I remember reading once that getting a book published doesn’t really change your life, so writers shouldn’t hope for that. Published writers still get out of bed in the morning and do the things they do. Their bank accounts rarely burst at the seams from newly minted millions. It’s true my life is much as it was a year ago before my book was published. But it’s also radically changed—I feel a new freedom. Continue Reading »
Weekly Wisdom #11Find a good (and preferably free) proof reader and get them to check your pitch and drafts well before your editor sees them!
Gylphi is an academic arts and humanities publisher focused on the twentieth century and beyond. It is home to the Journal of British and Irish Innovative Poetry, the forthcoming Transgressive Culture journal and book series, and the SF Storyworlds book series.
Here, they offer their top 5 tips for getting published……
1. What’s in a title?
A title (not the subtitle) should describe the book as precisely as possible in as few a words as possible. If you are going to use a pun make sure it describes your text, it is no good being undecipherable and profound. You don’t want to be writing for a readership so narrow that only those who already know the subject inside out will understand the title and buy your book.
Think also about librarians and booksellers looking for books to purchase. Will they, without specialist knowledge, know what your book is about? Bear in mind that they draw their information from databases that can cut short long titles. If your title is long and ends with the title of the subject or an author name, then the short version of your title may give no real indication about what the book is actually about.
Weekly Wisdom #10Remember that good writing is about what you take out, not what you leave in!
I was really excited to discover this article by Katharine Reeve on Times Higher Education – it’s, of course, excellent!
Reeve picks up on the key point that drives this website, which is that there isn’t much support for academic writers when it comes to learning how to propose and write a book. She states:
“While fiction authors are surrounded by advice books, websites and degree courses designed to help them get published, academic authors are left to their own devices. How are you supposed to know what is and what is not a publishable text? An academic is generally a researcher first and a writer second: you may be an international authority on Viking headwear or poststructuralist theory, but you are unlikely to be as expert at writing full-length publishable books. Unless you have a savvy supervisor or have learned by trial and error, getting into print can be tough.” Continue Reading »
ere we go, this is what I’m calling the Book Shelf Test (which it comes in two parts) and it’s going to save you a lot of time and answer a lot of questions so far as finding the right publisher is concerned.
In the last 2 part blog on Publishing Markets, I talked about publishing houses and their imprints. And I used the example that Indiana University Press has form in gender issues, and proved this for myself by looking at my own books. Well, rather than surfing for hours trying to connect some of these specialisms with publishing houses and imprints, you can do it just by looking at your own books.
So the first part of the Book Shelf Test is to test your own shelves for how they reflect the specific interests of different houses or imprints. And really, this is child’s play, because as most of them have logos, all you need to do is grab all the books from your shelves that have the same logo and then group them together into subject areas. Continue Reading »